The Forest Bollywood Movie Reviews:
New Delhi, March 13 Known for making issue-based documentaries, Ashvin Kumar’s is The Forest movie discuss the brave story of a dictator who take a chance his life to Preview of The Forest Hindi Film Cast Crew and Pictures are available in my blog please check here for More things Thank You. Watch The Forest Movie Online Free Full video and Exclusive Trailer on Youtube Video The Forest Hindi Movie Online Movie The Forest Movie Picture Free Download Movie Wallpaper mp3 song ensure that democracy would never come to the country which has been lovingly suppressed. all set to release his first movie “The Forest”, which will hit screens across the country April 13.A tale of a man-eating leopard set in the jungles of north India, the 86-minute movie will be released by PVR cinemas.“The Forest” has been premiered at Cinequest Film Festival in San Jose in February 2009 and it was also show at the Cannes Market in 2009.The writer-director won an an Oscar nomination in 2004 for “Little Terrorist”. He also became the first Indian to be nominated at the European Film Academy for the 15-minute short film that traces the journey of a young Pakistani boy who accidentally crosses the border between India and Pakistan in pursuit of his cricket ball and is instantly branded a terrorist by security forces.
“Little Terrorist” has been part of official selections to over 130 film festivals including the British Academy of Film and Television (BAFTA) Los Angels.
Ashvin, son of well-known designer Ritu Kumar, started his filmmaking journey with “Road to Ladakh” that had Irrfan Khan and Koel Purie in it. He also made “Dazed in Doon” and “Inshallah Kashmir: Living Terror”.
His documentary “Inshallah Football”, about a Kashmiri boys dreams to play football and how his father’s past jeopardises his dreams, won the National Award for best film on social issues.he forest movie 2012, hindi movies released on 13th april 2012, Bollywood Movies releasing on 13th april 2012, hindi movies releasing on 13th april 2012, the forest 2012 movie, bollywood movies releasing on 13 april, movies releasing on 13th april 2012, bollywood movies releasing on 13th april, movies releasing on 13 april 2012, movies releasing on 13th april 2012 in india, bollywood movie release on 13 april 2012, bollywood movies released on 13th April 2012, Bollywood movies releasing on 13 april 2012, hindi movie the forest, bollywood movies released on 13 april, the forest hindi movie..The setting is an estate in the Russian countryside in the 19th century. The dramatis personae include landed aristocrats, their bourgeois neighbors, peasants and servants. The story concerns the fate of a plot of land and the dissatisfactions of love.Ostrovsky (1823-86) is sometimes called the father of Russian drama and was the most widely produced classical playwright in the Soviet Union for most of the 20th century. He was the author of dozens of comedies and dramas, many of them staged at the famous Maly Theater. But his plays, celebrated for their acute observation of the Russian mercantile classes, never had the impact in the West that they did on his home turf. While Chekhov’s works have become a staple of the international repertory, cherished for their subtle mixture of the comic and the tragic, Ostrovsky has mostly retreated to the textbooks outside of his own country.
Hats off, therefore, to Classic Stage Company’s production of “The Forest,” one of Ostrovsky’s better-known comedies, performed by a talented cast led by Dianne Wiest, who plays the miserly mistress of a large estate, and John Douglas Thompson (“Othello,” “The Emperor Jones”) as her nephew, an itinerant actor who comes to pay a visit.
O.K., let’s put away the bubbly and put the critic’s cap back on. Might as well acknowledge that despite the worthy intentions, Brian Kulick’s staging is not likely to inspire a revival of interest in Ostrovsky’s oeuvre. Unevenly acted and ponderous in the early going, the production rarely rises to anything approaching comic heights (although, to be fair, Ostrovsky’s comedy is largely character-rooted and not buffoonish). And despite some aching speeches about hopelessness and despair, the play never plumbs the soulful depths in which Chekhov is at home. Ms. Wiest is Raisa Pavlovna, a widow in her 50s who congratulates herself loudly on her charitable endeavors even as she does her best to shirk them. As the play opens, Raisa is in the process of selling another portion of the forest on her estate to her neighbor Vosmibratov (Sam Tsoutsouvas), ostensibly so she can give some of the money as a dowry to the niece she has been taking care of, Aksyusha (Lisa Joyce).
Raisa has been planning to marry Aksyusha off to another hanger-on, the high school dropout Bulanov (Adam Driver), but she also finds herself attracted to the younger man. Aksyusha, meanwhile, cares not a whit for Bulanov but is desperately in love with Pyoter (Quincy Dunn-Baker), Vosmibratov’s son. But his father won’t allow Pyoter to wed without a dowry, and Aksyusha will get the money only if she accedes to Raisa’s wishes.
Most of this is revealed in the first of the play’s five acts (it’s performed with one intermission), and a very exposition-laden act it is. The work’s other primary characters, the actors Gennady (Mr. Thompson) and Arkady (Tony Torn), arrive shortly thereafter, meeting up in the forest and trading woebegone tales of the hard actor’s life before heading off to cadge some free meals at Raisa’s estate. Both are dead broke, and Arkady agrees reluctantly to pose as Gennady’s servant, for if Raisa discovered that her nephew was an actor she’d never let him in the front door.
Ms. Wiest’s flair for deadpan line readings occasionally wrings some laughs from the material, as when she remarks of a friend, “I had advised her against marrying — having tried it, I’d acquired a disgust for matrimony.” She looks elegant in the beautifully made dresses by Marco Piemontese.
But the great-lady tones Ms. Wiest employs rather belabor the obvious fact of Raisa’s hypocrisy, and the performance never transcends a certain arch staginess, despite earthy touches like having Raisa flop herself down on the dining table with her legs splayed — a pose this self-regarding Russian gentlewoman would hardly be likely to strike.
Mr. Thompson’s fierce charisma infuses the commanding Gennady with warmth and genial humor, although he is rather more buoyant and less glowering than the character is in the text. (The adaptation, by Kathleen Tolan, is straightforward.) The scene in which Gennady confesses to Aksyusha that he’s no aristocrat but an actor scraping a living, then tries to woo her into joining the acting profession, has a beguiling moonshine charm about it. Throughout “The Forest” Ostrovsky contrasts the harmless posing of the actors with the more destructive falsities of the bourgeois and aristocratic characters (although in the last scene he hits this moralizing note with a sledgehammer).
Ms. Joyce and particularly Mr. Dunn-Baker are effective as the intensely lovelorn youngsters, and Mr. Driver has an aptly oily quality as the dim Bulanov, who is so deaf to Raisa’s subtle intimations of affection that she practically has to fling herself at him. Mr. Torn is persuasively exasperated and drunken as Arkady, who urges Gennady to get what he can from his aunt before the jig’s up.
The various strands of the plot are tied up to pleasing effect in the play’s concluding scenes, as the couples align themselves properly, Gennady’s generosity and his manipulation of Raisa’s tight-fistedness having played crucial roles in arranging things for the best. But you’re not likely to feel any sense of emotional engagement.
The production is a commendable attempt to shine a light into an obscure byway of the classical canon, but memorably moving or memorably funny it is not. It may be unfair to belabor the comparison, but you could plausibly label it Chekhov Lite.Ever wonder where New York's theatrical aristocracy goes to play? Dianne Wiest has been known to grace the stage of CSC, a not-for-profit house that dependably finds her a juicy role to make her happy, quality creatives to support her, and maybe a little something to challenge her. Applied here, the formula showcases the two-time Oscar and Emmy winner in "The Forest," a 19th century Russian classic by Alexander Ostrovsky with the kind of character roles that attract both established divas and rising stars like John Douglas Thompson, who gave a dazzling perf last year in "Othello."
Companies dedicated to classic stage traditions would do well to investigate Ostrovsky's social comedies (forget the tragedies), which mock both the self-indulgences of Russia's upper classes and the absurd social pretensions of the up-and-coming merchant class that was busily snatching the land out from under them.
Just don't expect to discover another Chekhov. While Ostrovsky was an obvious influence on the younger playwright, who shared his vision as a social critic, he wrote in a more blunt and direct style.
Self-consciously theatrical, it was at one time the definitive style of the Maly Theater, the great Russian company that Ostrovsky founded and which still flourishes today. And while both Kathleen Tolan's adaptation and Brian Kulick's helming carry that bite-the-stage style a bit too far here, a little bombast doesn't hurt when a major character in the play is a hambone actor.
John Douglas Thompson, who followed up his fine Othello with another powerful turn this year in O'Neill's "Emperor Jones," plays this itinerant tragedian, who calls himself Gennady, with grand theatrical flair and great good humor. But for all the old-fashioned histrionics, thesp tempers the character's flamboyant manner and sentimental excesses with just enough honest emotion to win him the adoring audience he craves.
In the play's social context, though, the only audience who counts is Gennady's aunt Raisa, a rich widow who fancies herself as a gracious Lady Bountiful, while hypocritically cheating her heirs out of their inheritance. As played by Wiest -- with pursed lips, shrewd eyes, and a delicious air of girlish coquetry -- the lady is an utterly enchanting monster.
The characters who orbit this foolish and funny creature are familiar types: the awkward swain, the silly young lovers, the fawning sycophants, the rapacious neighbor, and the long-suffering servants. And while none of them can stand up to the lady of the manor, most are played by journeymen actors (John Christopher Jones, Herb Foster, and George Morfogen among them) adept at catching their individual eccentricities.
Synopsis:
More than 150 people are killed in leopard or tiger attacks in India every year due to mounting poaching and encroachment on the wilderness. Such animals become man-eaters. The film is about a wounded leopard, who's only choice for survival is to hunt humans and this story is inspired by one such attack...
A couple from a big city are on vacation in the Indian jungle to sort out a troubled marriage when they run into the wife's ex-lover. As husband and lover lock horns for the woman, primitive instincts find voice in the wilderness and they become blind to signs of a lurking presence. A starving leopard has been shot by poachers and can't hunt his normal prey. Desperate for a kill he turns on the weakest animal in the jungle - man. In a night of terror, survival will depend on outwitting a formidable hunter of the wild, a perfect killer who has become so accustomed to hunting man that he's begun to think like us...
Movie Cast & Crew:
Release Date: 11 May 2012
Genre: Thriller
Language: Hindi
Director: Ashvin Kumar
Producer: Ashvin Kumar, Judith James
Cast Members:
Ankur Vikal
Nandana Sen
Javed Jaffrey